It managed to bring my sync-1 repository in sync between 4 nodes in no time at all. I downgraded to 1.3.109, and all was fantastic. This was quite frustrating, to say the least. However, I after upgrading to 1.4 I soon ran into theītsync-simply-refuses-to-sync-and-there’s-nothing-you-can-do-about-it problem Multiple gigabytes of files can be spread really really quickly through your mesh network. I only have experience with pre-2.0 btsync.ītsync is really fantastically fast. Touted as a great dropbox replacement, and is also the one I started using This peer-to-peer personal syncing solution, also called btsync, is often This means that I want to work on some source code in a git repo, then go home without having to commit and push just because I’m going home, and continue working at home on a different computer, perhaps committing and pushing from there when I’m good and ready with my changes. Importantly, it should be relatively easy to roll-back inadvertent changes and deletions.įinally, an important use case for me is syncing git repos that I’m working on. Preferably, the tool should support delta-syncing (owncloud does not do this, for example), deduplication and LAN sync, because I live an a bandwidth-starved part of the world. The client software should support Linux, because that’s what I mostly use. I should be able to close one laptop, and continue working on my desktop on the same files, without having to think too much about it. sync-2: 35 gigabytes spread over 80 thousand files.(At the start of the adventures described below, this repo was 15G spread over 150 thousand files.) sync-1: 13 gigabytes spread over 100 thousand files.I have a Synology DS213j low-power home NAS that can also be used as part of syncing solutions that support it. I need a system that is able to keep my two main working repositories of files in sync across two laptops and two workstations. Warning: There is no real winner, but there is quiteĪn amount of hopefully useful information. Seafile, CloudStation, SpiderOak, Wuala, Dropbox and unison. My four computers, I’ve spent some quality time with btsync, syncthing, TL DR In searching for a Dropbox-level solution to synchronise my files between During each period, I actuallyĬommitted to the relevant syncing system as my main and only sycing tool and Past two years, I have used seven different Dropbox alternatives on my primaryįile collections (just under 50G in total). Left by the hundreds of vacuous reviews following the template above. I hope the notes in this post can fill a tiny little bit of the giant sinkhole Look, it seems to be syncing these threeįiles I put in there. Hey, look, here’s a new service that’s a dropbox killer / dropboxĪlternatives / disruptive in the sync space. Most sync software reviews can be summarised as: It’s quite hard finding reviews online that go deeper than the very
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It’s not surprising Benjamin turned into the malevolent spirit he did, but he targeted the wrong person, Henry, to take out his anger on. When you look at his final act while still alive, you can see Benjamin is too far gone to be saved. However, sympathy ends there, as Benjamin chose to see the guns, not the killers, as the enemy and stormed into a Winchester office, shooting innocent employees before being shot and killed by police. Angered at the deaths of his two brothers from Winchester firearms, we can sympathize with his grief. In a way, Benjamin Block had let his grief erase his humanity. It’s the kind of spirit that has lost its humanity altogether. Possession alone is awful, but doing this to a child makes the spirit seem that much colder, that much more cynical, evil, selfish, relentless, dangerous, and definitely inhuman. What if he had been successful? He would have forever been burdened with the guilt of murdering a family member, and certainly not of his own volition. While possessed, Henry was being forced to kill his beloved Aunt Sarah. Even though Henry survives, who’s to say he’s not scarred for life in some form? Would he be that much more vulnerable to further possession after an evil spirit like Benjamin? Possession tends to leave scarring in some form, even if you can’t remember what happened while possessed. It’s the ultimate violation, infringing the life of a young boy and trying to murder him. Benjamin tries to kill Henry by jumping off a roof while possessing him, but Henry is saved by the doctor, Eric (Jason Clarke), who is there to assess Sarah’s well-being. His only crime is being in the house, or in the wrong place at the wrong time. Henry is young, still oblivious to most of life’s woes, and completely innocent. Benjamin possesses Henry more than once, which is possibly one of the worst things he could do in his afterlife. Henry is an innocent party, having nothing to do with the deaths caused by Winchester firearms.Ī ghost as evil as Benjamin Block (Eamon Farren) fails to see past his own fury to spare an innocent child, however. Henry is a young boy, living in the famous Winchester Mystery House (before it was known as such) with his mother Marion and great-aunt Sarah. Her great-nephew Henry (Finn Scicluna O’Prey) is possessed by a particularly violent ghost on more than one occasion, they experience the devastating San Francisco earthquake of 1906, and Sarah, the doctor, her niece Marion (Sarah Snook) and Henry are left to their own devices to discover the identity of the evil spirit, fight him off, come out alive, and heal some hurts along the way. Sarah is eccentric, but certainly not crazy, as the film depicts. In the film, Sarah is haunted by the ghosts of people whose lives were taken as a result of Winchester firearms. The film takes place in 1906, as a doctor hired by the Winchester company is sent to Sarah’s home to evaluate her mental health and determine whether she is fit enough to continue running her late husband’s company. The film follows the unconventional and somewhat disturbing life led by Sarah Winchester (Helen Mirren), who lives in a mansion that is always under construction in San Jose, California. Winchester, also known as Winchester: The House That Ghosts Built, is a supernatural horror film that came out in 2018. To sign up visit the 25YL Media Patreon page. For just $3 a month you will have access to our full library of Audio content, plus three new uploads every week. This article is now available on Audio exclusively for our Patreon supporters. Play the Melody and Improvise (at least one chorus) any two of the following Jazz Standards, using Aeborsold or the Ireal Pro app, in contrasting styles:Įnsemble Placement Auditions are different than Scholarship auditions, and happen the Monday before classes begin.Sight-Read a selection picked by Jazz Faculty.Students receiving a Jazz Scholarship are required to participate in JSU Jazz Ensembles and JSU Jazz Combos as needed.Īnyone who is interested in auditioning for Scholarships to the JSU Jazz Studies program must complete an application through the JSU Website Scholarship Page,, and contact me directly at all music scholarship information, go to: Here you can digitally change the key to whatever you like. Toca la guitarra, el ukulele o el piano con acordes y diagramas interactivos. Jazz Scholarships are awarded to students who demonstrate an aptitude and desire to participate in the Jazz Studies Program. These days, the iReal Pro app has replaced the old Real Book. Acordes para 'Autumn Leaves' - iReal Pro. Its interpretations of different genres can feel robotic and lack the subtleties and nuances of those styles. While iReal Pro covers a broad range of musicfrom jazz, rock, and blues to reggae, Latin, and bluegrassit’s not ideal for exploring different styles. A total of three absences, or increments thereof, will result in the lowering of your inal letter-grade. Don’t Use iReal Pro To Listen To Different Styles of Music. Excessive absenteeism will not be tolerated. Auditions - Program/Scholarship Auditions Required app: iReal Pro for Friday sessions Grade distribution: Final exam, 40 mid-term exam, 20 weekly ET’s, 20 quizzes and home-work assignments, 20. New York: Cheim & Read, 2007.Īrt Now: 2008 Taschen Diary. I Am As You Will Be: The Skeleton in Art. Berlin: KW Institute for Contemporary Art New York: P.S.1 Contemporary Art Center Ostfildern: Hatje Cantz, 2007. Yokohama: Organizing Committee for the Yokohama Triennale, 2008. Time Crevasse.Yokohama International Triennale of Contemporary Art. Qu’est-ce que La Sculpture Aujourd’hui? Boulogne: Beaux Arts Editions, 2008. Köln: DuMont Buchverlag, 2008.Ĭross, Caroline. Stations: 100 Masterpieces of Contemporary Art. Mexico City: Museo Universitario de Ciencias y Arte, 2008.Īrt Editions 6. Kansas City: Andrew McMeel Publishing, 2008. Qu’est-ce que L’Art Vidéo Aujourd’hui? Boulogne: Beaux Arts Editions, 2008. Ostfildern: Hatje Cantz Verlag, 2008.īousteau, Fabric, ed. Index: Fotografie, - DZ Bank Sammlung Im Städel Museum. Madrid: EXIT Publicaciones, 2010.īeck, Hubert, and Günter Engelhard. New York: Whitney Museum of American Art New Haven: Yale University Press, 2010. New York: New Museum and D.A.P., 2010.īonami, Francesco, and Gary Carrion-Muryari, ed. Wijnegem: Axel Vervoordt Foundation, 2011. London: Black Dog Publishing, 2011.Īre You Experienced? How Psychedelic Consciousness Transformed Modern Art. London: Thames & Hudson, 2011.Ĭontemporary Art in North America. The Art of Not Making: The New Artist/Artisan Relationship. Albright-Knox Art Gallery: Highlights of the Collection. New Orleans: New Orleans Museum of Art, 2011. NOMA 100: Gifts for the Second Century: Celebrating the Centennial of the New Orleans Museum of Art. Paris: Editions du Centre Pompidou, 2011. New York: Leila Heller Gallery, 2011.ĭanser Sa Vie. Nimes: Musée D’Art Contemporain de Nimes, 2011. Monaco: Nouveau Musée National de Monaco, 2011.ĭefining Contemporary Art – 25 years in 200 pivotal artworks. Munich: Prestel, 2012.ĭion, Mark, Oceanomania. Hornu: Musée des Arts Contemporains au Grand-Hornu, 2012.įinger, Brad. Joseph Beuys: Parallelprozesse: Archäologie einer Künstlerischen Praxis. Gateways to Art: Understanding the Visual Arts. Magicians and Charlatans: Essays on Art and Culture. New York: Metropolitan Museum of Art, 2012. Regarding Warhol: Sixty Artists Fifty Years. The Circus as a Parallel Universe (Parallelwelt Zirkus). Edinburgh: National Galleries Scotland, 2012. Aix-en-Provence: Presses Universitaires de Provence, 2013.įrom Death to Death and Other Small Tales: Masterpieces from the Scottish National Gallery of Modern Art and D. Glissades: Instabilité, indistinction et postures humoristiques à l’ère dite postmoderne. 100 Works of Art That Will Define Our Age. New York: New Museum, 2013.įor øjeblikket Samtidskunst til Billedkunst. NYC 1993: Experimental Jet Set, Trash and No Star. Boston: Wadsworth, 2014.Īltars of Madness. Culture and Values, A Survey of the Humanities. Austin: The Contemporary Austin, 2014.Ĭunningham, Lawrence S., John J. Torino: Castello di Rivoli Museo D’Arte Contemporanea, 2014.Ī Secret Affair: Selections from the Fuhrman Family Collection. Intenzione Manifesta: Il Disegno in Tutte Sue Forme. Paris: Editions du Pavillon de l’Arsenal, 2015. Montclair: Montclair Art Museum, 2015.Īrtistes et Architecture: Dimensions variables. New York: Whitney Museum of American Art, 2015. Whitney Museum of American Art: Handbook of the Collection. Writers Respond: Storylines: Contemporary Art at the Guggenheim. In the Making: Artist and their Materials from the Studio to Crowdsourcing. San Francisco: San Francisco Museum of Modern Art, 2016.Īdamson, Glenn and Julia Bryan-Wilson. San Francisco Museum of Modern Art 360: Views on the Collection. San Francisco: San Francisco Museum of Modern Art, 2016.īloch, Judy and Suzanne Stein. The Campaign for Art: Gifts for the San Francisco Museum of Modern Art. Berlin: Hatje Cantz Basel: Kunstmuseum Basel, 2016. This step will help accurately predict the adequate capacity of your battery bank. Step 3: Estimate the Lowest Temperature Your Battery Bank Will ExperienceĪgain, you can search the average low temperature for your area online. This article provides information on home battery and backup systems, including air-cooled generators, wet cell batteries, AGM batteries, solar panels and their compatibility with different types of energy storage systems. However, it's always recommended to size up rather than down. A large solar battery bank size will be best utilized in areas with more cloudy days, while a smaller solar battery bank should be sufficient in areas with prevalent sunlight. This step is crucial in ensuring you'll have access to your solar energy year-round. If you don't know this information off-hand, you can look up the annual average of cloudy days for your area online. 1-16 of 343 results for 'House Battery Backup' RESULTS. Step 2: Estimate How Many Days Your Solar System Will Be Without Sun This is the first step in determining your solar battery bank size. Which translates to one watt of power sustained for one hour. To calculate your daily kilowatt-hour output, you will need to divide that number by 30, then multiply by 1000 to convert the number into watt-hours. It will usually be printed as your monthly kilowatt-hour output. You'll want to look to your electric bill for this information. Let's review them below: Step 1: Determine Your Daily Energy Usage There are several steps to follow when calculating your solar battery bank. For instance, the EcoFlow RIVER 2 Pro portable power station is compatible with AC (wall outlet) charging, car charging, USB-C charging, and solar panels. However, this is only true if you have a different way to charge your battery. That way, you will have access to a sufficient amount of energy at all times. A storage battery can work without PV panels. If you choose to build an off-grid system, it's important to size your system based on the month with the least amount of sunlight. Our solar battery bank calculator helps you determine the ideal battery bank size, watts per solar panel, and the suitable solar charge controller. Evaluating your specific needs and consulting with a. Factors influencing the price include the systems power output and storage capacity, the size of your home, your average electricity usage, and any additional features or requirements. SolarEdge 3-Phase String Inverters & Optimizers Best Integrated Solar System: Tesla Powerwall at Jump to Review Best System for Installation Flexibility: Panasonic EverVolt Home Battery Storage at Jump to Review Best. The cost of a whole home battery backup system can range from 3,000 to 15,000 before installation.SolarEdge String Inverters & Optimizers. Yard Sale: A variety of products available at 20 to 50% off!. In the beginning, people associated us with Lush because we had two female singers but when we started playing people stopped thinking that. Shoegaze and Britpop, in London anyway certainly had its origins there as that’s where most bands and fans gravitated to then. Laetitia and I went up there at least three or four nights a week for years. Lots of clubs and upstairs and downstairs of pubs where bands played. TG: We were at that time part of the North London music scene centred around Camden, Chalk Farm. We didn’t completely realise it at the time but the music scene was thriving, and there was so much good music to be enjoyed most nights! In our own particular way, we were a part of that. They made up all these feuds that didn’t exist to sell their shitty papers (though once upon a time much more respectful of the music and its capacity to influence and provide meaning and purpose to people in society, particularly the youth). (They didn’t come regularly enough actually!) Indeed there was some made-up scene the press had constructed, they called it Shoegaze which was a derogatory term at the time. There were lots of different bands that we felt close to each having their particular sound, from Th’Faith Healers to Gallon Drunk, Huggy Bear and Sun Carriage to all the American brothers and sisters who came by regularly such as Bikini Kill. LS: We had no problem inscribing ourselves in the London scene at the time. What was it like performing in that scene and was there a certain musical tribe that you felt most connected to? The band rose through a swathe of sounds in the nineties from shimmering shoegaze to the beginnings of Britpop. McCarthy, the group I was in immediately before Stereolab, was influenced directly by Dada in both the words of the music and our record sleeves which all came from that period. Soon after (around the age of 14/15), I discovered Throbbing Gristle who incorporated these kinds of elements (and much else besides) into something approaching an atomic explosion of ideas. It’s quick to re-assemble everyday images into hidden meanings and open up a whole new world of possibilities. Photomontage has the most direct affinity with the music I was into because of the whole punk and post-punk thing. As a (sort of/kind of) musician only, it’s sometimes hard to analyse how something from a different medium affects your ideas in another. Her collages bedazzled me long before I understood the wider meaning of Dada as a reaction to bourgeois society in general and the First World War. Tim Gane: My favourite Dada artist was Hannah Höch and in particular her photomontage work. So it made us ask that question, who is in charge? Technology was making huge breakthroughs. Those post-modern ways brought the artistic discourse to a whole new level which made us observe ourselves with a fresh set of eyes that could penetrate corners of the psyche that hadn’t been reached in that godless way before. Something needed to break free and they started chipping away at it unseen. But also the transgression of the straightjackets that a big part of humanity has either been made to wear or has worn on behalf of their ancestors without questioning its wider implications. Laetitia Sadier: I found the Dada movement inspiring as it echoed my desire for freedom. Why did you feel inspired by that movement to start songwriting? Now ahead of a headline show in London and their curation slot at Utrecht’s Le Guess Who? festival later this month, the two co-founders open up about Nineties tribes, new-age technology and their lifelong affinity with music.Ĭheri Amour: You mentioned previously that your early output was informed by Dada, an art form that championed artistic freedom as a direct reaction to World War I. Stereolab deftly crossed the line from indie to pop through to jazz and were one of the few groups in the Nineties as exploratory in their music-making as they were prolific in their output, releasing six studio albums across the decade alone (they’ve released 13 in total).Īfter a 10-year hiatus, the band reformed for live performances in 2019 to coincide with the remastered reissues of their albums released under Warp Records. Spurred on by their shared stage antics, Gane and Sadier continued their creative collaboration forming a new musical collective together. Helmed by longstanding members English songwriter and guitarist Tim Gane and French lyricist and vocalist Laetitia Sadier, Stereolab was born from the ashes of 80s indie pop band McCarthy after frontman Malcolm Eden called time on the band at the start of a new decade. “There are people out there who we hope will be discovered. She shared how Rabbi Daniel Glatstein was giving a lecture in Spain and he mentioned the Abrabanel and two other family names that are on her family tree. Puerto Rico is filled with people with this type of background.” Her goal in writing her book, The Last Anusah, and with her blog, Gimel Dalet 777, is to let people know that there are hidden Jews out there who have kept the traditions and they need our help. She explained that when Hurricane Maria happened, this forced people in Puerto Rico to move to the mainland where they could be free. In Seville, she was greeted by the name of the bloodline her family had spent centuries trying to preserve: Cristobal Colon. Two of the three were names that belong to my family” ( The Last Anusah). They were names of people who had been burned by the Inquisition. Just outside the trial room there was a list of names. It was a place that also held a tribunal room. “Hashem was leading me there.” She describes how she was in a home that once belonged to Jews and was confiscated by the Office of the Inquisition. She describes in her book that after she visited Puerto Rico, she decided to visit Spain. She described how victims of abuse often have to prove that they were violated and Conversos have to prove who they are. “These people are forced.” The word “anusim” means forced. She pointed out the chilling fact that the Office of the Inquisition is still open. It is still an ongoing story of the Conversos living this dual secret life. She describes how for the people living in Puerto Rico it’s like a prison they can’t escape. However, she noted that when she officially converted and went to the mikvah, her mother told her, “You vindicated us.” Her grandmother also shared how happy she was that Devorah Esther did this. She shares how some members of her family have come back to Judaism but not her immediate family. In Devorah Esther’s book, The Last Anusah, she shares her journey to discovering her Jewish roots and dramatic trip to Puerto Rico where she learned the truth about her family and then the incredible journey she took to Spain where she found her ancestors’ roots and that Christopher Columbus was her 14 th great-grandfather. “It’s all smoke and mirrors, very superficial with no real depth. Christians want to be better people, but there is no system to transform them. She pointed out that with Torah you apply what you learn and it transforms you. “I had much better answers now that made sense to me.” “I couldn’t ignore that Yoshka was not it.” She shared how it was scary in the beginning because she had a Christian identity and she jeopardized losing everything. She shared how she kept fighting it, but her Jewish neshamah just popped out. Amazingly, Devorah Esther was introduced to Judaism through dreams. She left it to Hashem and He revealed the hidden truths to her. When asked how she discovered Judaism, she shared how she felt something had to make sense and be true in life. Her cousins had the same questions, and her brothers did, too. She saw how her family dynamic was different. At one point, she even wondered if her family was part of a witness protection program. She also noticed that her mother and aunt (her mother’s sister) had different names. “Why don’t I know about anyone past my grandmother?” Her relatives would respond, “We can’t tell you.” It was ironic that at the same time that she was asking about religion, she was also asking about her family. Inside, there was this blank space that was never filled. She shared that “she was brought up in a strict environment, but she had this nagging feeling that couldn’t go away. They would say to her, “Why are you asking so much?” She tried to go to the Christian savior but it left her feeling unanswered. If she kept asking, she was treated like a heretic. They taught that you have to believe more. They said bad things happen because you are sinning. The Christian answers didn’t make sense to her. Can you imagine being brought up as a Christian and finding out that the family you never met and the quiet secret your family was hiding was that you were really a Jew and your family was descendants of Conversos from the 1400s?ĭevorah Esther Ivel Colon was brought up as a Christian but was always looking for answers to her questions since she was a young girl. Few people realize that there is a whole community of hidden Jews in Puerto Rico who can trace their ancestry back to the Conversos in Spain during the Spanish Inquisition. Ordinary conversation tends to be about 60 decibels. People with profound hearing loss can't hear sounds quieter than about 90 decibels. You might catch a 100-decibel ambulance siren if your car window is open-but not someone calling you from behind. With either definition, if you have profound hearing loss, you won’t hear most everyday sounds without amplification, just loud sounds. In the United States, a stricter definition is often used, so that someone who can’t hear a sound less than 90 decibels would be considered to have a profound loss. It will be at least 80 decibels if your loss is profound. What is severe or profound hearing loss?Īccording to WHO, if the quietest sound you can hear with your better ear is between 60 and 80 decibels, your loss is severe. But more than two million Americans live with hearing loss that is severe or profound, as defined by the World Health Organization (WHO). He relies on hearing aids and owns an amplified telephone he uses rarely.Īlthough hearing loss is common, affecting nearly a quarter of all Americans age 12 and up, in most cases it is mild. My aunt also had a profound hearing loss,” he says. “I think her sister convinced her that I couldn’t hear. Roger Draperĭraper, who works as an editor in New York City, was soon diagnosed with a profound hearing loss. “She would say, ‘Roger, do the dishes,’ and when I didn’t respond, she’d accuse me of ignoring her,” he recalls. At first his mother couldn’t take in the sad news. When Roger Draper was about 10 years old, a dose of antibiotics damaged his hearing. I did complete my trip with no further issues and will be renting from them again soon. I can't endorse this company enough if you are considering renting a camper or a decked out van for you family's road trip use this company you will be happy you did. EVEN then he repeated his offer to fly us home if we were not comfortable with driving the van anymore. Luckily while we waited for Mercedes to come the owner searched the internet and found that the tracking device that the trucks have on them have caused similar reactions and once we removed it the truck went back to running perfectly. That is unheard of customer service these days and shows what type of company he is running. I called the owner and his IMMEDIATE response was "It's not your problem it is mine and I will fix it" He arranged for Mercedes top come get the van and offered to purchase airline tickets to get me and my whole family home. The van showed a warning sign that the battery wasn't charging and when I pulled over to check things out the van stopped. … More The van was virtually new and very well maintained however like all things mechanical we did experience a problem while we were out in the middle of nowhere in Wyoming. I rented a van for my family trip to Jackson Hole Wyoming and the van was amazingly comfortable even for long days on the road. 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For one thing, the famed crab fishing boat went up for sale over a year ago.Īccording to Dock Street Brokers, the boat is still up for sale. The F/V Time Bandit Still For SaleĪlthough Captain Johnathan has updated Deadliest Catch fans on what the F/V Time Bandit is up to, he has never explained anything about the absence of the boat from the show. It is no surprise that they are fan favorites, with their good natured antics and fun spirit. The brothers Hillstrand, John, Andy and Neal have been a huge part of the Deadliest Catch. Between the Hillstrand fireworks and the many pranks, this was more than a crab boat. This is the crab and tendering boat that has been part of three generations of Hillstrand’s. It was named the “Time Bandit,” because it “steals your time.” There has always been a sort of pirate-themed craziness with this particular crab boat. Captain Johnathan shared some news on the F/V Time Bandit. Several people have asked about the infamous F/V Time Bandit. Recently, John was on Facebook Live, answering questions that inquiring Deadliest Catch fans asked. But, what has been going on with the F/V Time Bandit? Because it has been a double captain season, the F/V Saga has been at least temporarily renamed the F/V Saga-Bandit. His mentoring time with Captain Jake Anderson has been very entertaining. But, what has become of the Hillstrand family boat, the F/V Time Bandit? Johnathan Hillstrand Updates Deadliest Catch Fans On Status of F/V Time BanditĬaptain Johnathan Hillstrand was a surprise and welcome addition to Deadliest Catch Season 16. In the Deadliest Catch Season 16, Captain Johnathan Hillstrand has been and on the F/V Saga, mentoring Captain Jake Anderson. |
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